Copyright
Rights of the articles on No Man’s Land are reserved to the original authors or media. No Man’s Land is authorized to reproduce and distribute the articles freely. Users may distribute the articles on No Man’s Land accordingly to the above terms of use, and shall mark the author, and provide a link to the article on No Man’s Land .
「數位荒原」網站上文章之著作權由原發表人或媒體所有,原發表人(媒體)同意授權本站可自由重製及公開散佈該文章。使用者得按此原則自由分享本站收錄之文章,且註明作者姓名、轉載出處「數位荒原」與網頁的直接連結。
Contact
Please fill out your information to contact No Man’s Land .
The information you supply will only be used by No Man’s Land .




Subscribe No Man's Land
Please fill out your email to get the latest from No Man’s Land .
The information you supply will only be used by No Man’s Land .
Unsubscribe No Man’s Land
The Noise Parasite of Composite Conceptual and Sensuous Re-formation, 2
共構概念與感知新形式的噪音寄生物:坂本龍一的數位聲響2
January 10th, 2019Type: Sound Scene
Author: Shih, Min-chieh Editor: Rikey Tenn
Theodor W. Adorno
演説中の坂本龍一氏(Academy Awards:Best Music, Original Score Winner for The Last Emperor (1987); 米国アカデミー賞作曲賞受賞、ゴールデングローブ賞受賞、映画音楽家、作曲家、演奏家、音楽プロデューサー、東京芸術大学大学院音楽部修士) 場所:「饗宴IV」Grand Hall(品川) 日時:2013年12月22日(日)
Footnote
[1]
[2]
[3]
[4]
[5]
[6]
[7]
[8]
[9]
[10]
[11]
[12]
[13]
[14]
[15]
[16]
[17]
[18]
[19]
[20]
[21]
[22]
[23]
[24]
[25]
[26]
[27]