issue | Nomansland

ENGLISH SEARCH MENU

Browse

ISSUE Mar 2023

ARCHIVE

ISSUE

Filter By 2015 ，總計6期

FILTER　BY

YEAR

(1)

(4)

(4)

(4)

(3)

(4)

(6)

(6)

(6)

(5)

(6)

(6)

(1)

ISSUE 23:

Space As Archive II

空間作為檔案2

November, 2015 策劃：鄭文琦 / 刊頭： Rikey

Moving Image Industry in the UK, and Its Anti-Culture Origin

英國的動態影像工業，與它的反文化起源，周郁齡

Interview with Benjamin Cook and Maria Palacios Cruz, LUX London

專訪倫敦LUX執行長班傑明．庫克與副執行長瑪莉亞．克魯斯，周郁齡

Hito Steyerl: Politics of the Archive – Translations in Film

Hito Steyerl選譯—資料庫的政治：電影領域內的翻譯，Hito Steyerl，Felix Loi (翻譯)

Burn the Archive and Activate Your Own Space

燃燒檔案，啟動我們自己的空間，詹育杰

In Between Exhibition and Film: Camille Henrot’s “Grosse Fatigue” and The Pale Fox

介於展覽與影片，在人類知識庫和蒐藏分類狂的露出機制之間，詹育杰

Self-Performance of Artist as Star and Digital Zombie

藝術明星與數位殭屍的自我展演，詹育杰

ISSUE 22:

Space as Archive I

空間作為檔案1

September, 2015 策劃：鄭文琦 / 刊頭： Rikey

Interview With Nguyen Trinh Thi, DOCLAB, Hanoi

在河之內，在河之外：越南河內的另類影像與紀錄片機構Doclab ，區秀詒

Taipei Contemporary Art Center: Past and Present

再造公眾性：臺北當代藝術中心的昨日與今日，鄭文琦

Too Correct to be Referred to as “Contemporary”; Too Conservative to Be Referred to as “Avant-garde”

談「當代」太正確，談「前衛」太保守，葉杏柔

Interview with Yeoh Lian Heng, Lostgens Contemporary Ast Space

專訪吉隆坡Lostgens'當代藝術空間，鄭文琦

How Curating Renews Urban Texture? Ruangrupa and Gallery RURU as Expamles

策展如何更新都市文化肌理？以雅加達藝術團體Ruangrupa與RURU藝廊為例，鄭文琦

Reading Singapore: A Dialogue on Art Space

閱讀新加坡：一個關於藝術空間的對話，鄭文琦

ISSUE 21:

Recalling Islands

July, 2015 策劃：鄭文琦 / 刊頭：王鼎曄

Auf dem Narrenschiff: The Letter, the Captain, and the Islands

愚人日誌：信、船長，和島的見聞，王鼎曄

Two Islands: Pulau Cerah, the Birth of Islands

雙嶼記：Pulau Cerah、島群初生，高森信男

Two Islands: Pulau Hantu, the Dying Islands

雙嶼記：Pulau Hantu、島群崩毀，高森信男

Multilated Harmony: Migration of Diction in Huang, Ming-chuan’s Footage

殘缺的和聲─黃明川影像中的語韻遷徙，林怡秀

From Taipei Biennial to Shanghai Biennale: the Preface

從臺北雙年展到上海雙年展：序篇，蔡長璜

Can Contemporary Art in China Rids Itself of Political Intervention?

中國當代藝術能否擺脫政治干預？，蔡長璜

World Factory: Contextualiztion along the Moving Border of Interpretation

社會工廠：在移動的詮釋邊界生產意義，蔡長璜

ISSUE 20:

Language That Performs

言語是一種表演

May, 2015 策劃：鄭文琦 / 刊頭： Gilles Jobin, Quantum

Swiss Choreographer Gilles Jobin and “Quantum”

瑞士當代編舞家吉爾・裘邦與《量子》，吳宜樺

Observation on Contemporary Performance Art in Europe

歐陸當代表演藝術的跨界觀察，吳宜樺

Inhabit the (Moving) Image: Interview with Malaysian Artist Au Sow Yee

在影像裡尋找居所：專訪馬來西亞藝術家區秀詒，鄭文琦

Production and Meta-Analysis of Diagram: “Nameless Man” and Mirror Image in Che-Yu Hsu’s Work

示意圖的生產與後設拆解：許哲瑜作品的「無姓之人」與鏡像形象，林怡秀

Amir Muhammad: Three Documentary Ideas

Amir Muhammad選譯—三部未實現的紀錄片，Amir Muhammad

Jan Verwoert: Against Interpretation

Jan Verwoert選譯—反詮釋，Jan Verwoert，蔡明君 (翻譯)

ISSUE 19:

Writing Down the Body and Time

身體與時間的記寫

March, 2015 策劃：謝杰廷 / 刊頭： ReMove Me

Notes of Traces: Dance Notation

痕跡的記寫：從舞譜談起，謝杰廷

Seeing and Touching: “Pulse Curve” of the West vs. Chinese “Pulse Image”

看見與觸摸：從西方「脈搏曲線」與中國的「脈搏圖」談起，李立鈞

Memos on Time within the Time: Time Photography of Marey

時間外的時間記寫：馬黑的時間攝影，李立鈞

ISSUE 18:

Ir/relevant to War or Time

(非) 關於戰爭或時間

January, 2015 策劃：鄭文琦 / 刊頭： Sojung Jun

Carton-Box City

紙箱城市，江凌青

Post-Industrial Experiment of “Ono-Sendai” or “Body of Delirium Tremens”

後工業實驗的「小野—仙台賽伯格」或「譫妄式振顫身體」，雷煦光

Instruction Manuel for the Inner Map: An Astrological Approach

內在地圖的使用指南：淺談《試駕靈魂》展覽的占星觀點，鄭文琦

“Images of Wars” or “Wars of Images”

「戰爭的影像」與「影像的戰爭」，李立鈞

The Possibility of Reconstruction Raises from Death of Images

從影像之死談重建的可能，區秀詒