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ISSUE

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ISSUE 55:

March, 2023 Planner: 徐詩雨 / Creator: Ren Yu’s heartbreak grandpa

Reflection on Bodies of Water: Some Ideas Permeate

水體：一些相互滲透的女性主義心得，謝詠程

Wet Recipe: Watery and Crispy Mushroom Flow

潮濕食譜：滑滑脆脆菇菇流，葉佳蓉

Fruit Flies, Ants, Seals, and The Horror Story of Biodiversity?

物種多樣性之恐怖故事集？果蠅、螞蟻、海豹，林怡君

3 Steps to Decode the Orbits Silently: Carry, Control, re-Cognize

在無聲宇宙三步重構價值軌道：輔因子/C1、可控性/C2、再識讀/C3 ，姚睿蘭

悠游自在，吳礽喻

ISSUE 54:

Ecological Dialogues in The Sandbox

沙盒裡的生態對話

December, 2022 Planner: 南方宇宙生存指南、吳其育 / Creator: 吳其育Wu Chi-yu

Interview with Wei-Chih Chen on the Fringes of Our History

閱讀歷史的邊緣：與陳偉智對話，吳其育、鄭文琦、許修豪 (訪談)，吳其育 (整理)

Interview with I-Yi Hsieh on Nature-Culture

和自然—文化重新相遇：與謝一誼對話，徐詩雨、吳其育、鄭文琦 (整理)，徐詩雨 (整理)

Interview with Lin-Chin Tsai on the Symptoms of Settler Colonialism

思考白浪徵狀：與蔡林縉對話，吳其育、陳璽安 (訪談)，陳璽安 (整理)

Interview with Yih-Ren Lin on the Knowledge of Walking

「敘事比理論更具影響力」：與林益仁對話，許修豪 (訪談、整理)

The Southern Universe Archives (The Script)

南方宇宙檔案館（腳本）， Rikey Tenn

The Integration of Opium in the Southern Sphere (1943)

南方阿片統一論 (1943) ，荒川淺吉，鄭惠文 (中譯)，黃亮融 (Trans.)

ISSUE 53:

WRITING COLLECTIVES / COLLECTIVISM

書寫集體 / 主義

October, 2022 Planner: 鄭文琦 / Creator: Baan Noorg

Archived and Alive: Interview with Kin Ko on Writing NFT

無大台出版與共識初成—專訪LikeCoin創辦人高重建，李佳霖 (訪談, 整理)，高重建

Welcome to Planet B and The Festival of Political Correctness

一場政治正確的科展慶典，而且不是很華麗？，黃彥霖

Notes on Closed Worlds and Speculative Encounters

關於封閉世界和推測性遭遇的筆記，李雨潔，鄭文琦 (中譯)

The Unsettled Audience and Reader(s): on the Work of “Translation” at Documenta 15

焦慮不定的觀眾與閱讀者：第15屆卡塞爾文件展的「翻譯」及其未竟，許祐綸

Collaboration or Social Mobilization? The Historical Context of Gotong-Royong and Its Politics

自發協作還是社會動員？「Gotong-royong」的歷史語境及其政治，krystie Ng吳君儀，吳君儀, 沈慧伶 (Trans.)

Phu-Bao-Gin-Maew: Thaiisaan Sound

Pisitakun Kuantalaeng：泰國依善之聲，Pisitakun Kuantalaeng，Penwadee Nophaket Manont (trans.)

ISSUE 52:

Archipelago Futurism?

「群島未來主義」？

June, 2022 Planner: Rikey Tenn / Creator: 姚睿蘭Yao Jui-Lan

Appropriation, Juxtaposition & Narration: On Gan Siong King’s Video Essays

挪用，並置與旁白：顏常慶的錄像文章， Doris Chen

War and Research Institute

戰爭與研究機構 (「大東亞臺灣科學團的動向」特輯) ，池田鐵作 (Ikeda Tetsusaku)，楊雨樵 (中譯)

The Absent Southeast Asian Futurism: On The Long Walk

《靈界迴路》：事件視界、輪迴、精神分析與缺席的東南亞未來主義， Chu Feng-yi

Future Tao: The Great Shift

未來道：乾坤大挪移，lololol (林亭君, 張欣)，黃亮融 (Trans)

Traveler, Route and Place(s): An Interview with Phuan Thai Meng

旅人、路徑與地方：專訪潘台明，林怡君 (訪談)，董綾 (trans)

Gazing Into Absence: All the Lands Within the Seas

凝視空缺：海洋中的所有陸地，Lim Sheau Yun，Ong Kar Jin，鄭文琦 (中譯)

Who Will Help Us When We Grow Old and Suck? (Toward the Uninhabited Islands)

當我們又老又遜的時候，誰來幫助我們？（駛向無人可居之島），Irwen Ahmett，Tita Salina，林易萱 (Trans)

Who Is TransBorderer? A Conversation between Lee Kuei-Pi & Dolma Tsering

誰是越境者？李奎壁與卓瑪慈仁的對話，李佳霖 (撰稿)，Tsering Tharchin (口譯)

ISSUE 51:

Proof of Sound by Sonic Screen

聲介面：發聲如何證明

March, 2022 Planner: 徐詩雨、吳其育、沈森森、致穎、李雨潔 / Creator: Sonic Screen (聲介面)

The Coal Mine and The Canaries – An Aesthetics of Sound Relationship

礦坑工人與金絲雀：一種聲音關係美學，陳璽安Zian Chen，Lina Dann (Trans)，聲介面 (編輯)

Silence: A Few Definitions, Two Pieces of History, and A Conjectured Denotation

關於無聲的幾種定義、兩段歷史與一則推測，謝佩君Hsieh Pei-Chun，Lina Dann (Trans)，聲介面 (編輯)

The Ambiguous Sound: Four Fables about Future-Crossing Sounds

模糊的聲音：四則跨時空聲音寓言， Au Sow Yee

The Octopus: Chapter One

奧克拓普號：第一章，錢詩怡Sam Shiyi Qian，Lina Dann (Trans)，聲介面 (編輯)

Taíno Proof of Sound

泰諾音鑑，莫奴Lou Mo，聲介面 (編輯)

ISSUE 50:

The Portal & The Rearview Mirror

「傳送門」與「後照鏡」

October, 2021 Planner: 鄭文琦 / Creator: 張芷萱

Behind the Scenes of Live in Madawdaw, Taitung

幕後紀實：麻荖漏家屋見面會，陳嘉壬

Resonance of The Sea: When You Read A Wave

與海共譜內心的詩：2021年海是生活節《當你看了一個海浪》， Doris Chen

Lakec and Lakec: A Very Simple River

Posak Jodian：〈渡河〉與〈渡河：太簡單的河〉，Posak Jodian，黃瀞瑩 (策劃)

From Greater East Asia to Southeast Asia: The Articulation of the Propaganda Film

宣傳影像的編織擴散—從大東亞到東南亞， Doris Chen

War and Colonialism: The Juxtaposing Nations Projected in Early Taiwanese & Indonesian Films

戰爭與殖民：臺灣與印尼電影投映的混雜民族想像， Doris Chen

When the Imaginary Geography of the Other Becomes Our Daily Landscape, Year: 1927

當他方的想像地理成為你我的日常風景，年：1927 ，鄒婷TSOU Ting

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