Note: WU, Yi-hua reveals that 2016 Taipei Biennial, Gestures and Archives of the Present, Genealogies of the Future, manifests various historicity-based creations which were plastically archived, to form a fractal genealogy structure dynamically between the local-global connections. The author articulates that the context of curating method as an interrogation for the spectator, how to behold with ours tense regards artistically and politically behind the illusion and the significance of history.