Architecture as Common Phantom and Boundary – Gwangju Biennale 2018: Imagined Borders

Rights of the articles on No Man’s Land are reserved to the original authors or media. No Man’s Land is authorized to reproduce and distribute the articles freely. Users may distribute the articles on No Man’s Land accordingly to the above terms of use, and shall mark the author, and provide a link to the article on No Man’s Land .

「數位荒原」網站上文章之著作權由原發表人或媒體所有，原發表人（媒體）同意授權本站可自由重製及公開散佈該文章。使用者得按此原則自由分享本站收錄之文章，且註明作者姓名、轉載出處「數位荒原」與網頁的直接連結。

Contact

Please fill out your information to contact No Man’s Land .
The information you supply will only be used by No Man’s Land .

Subscribe No Man's Land

Please fill out your email to get the latest from No Man’s Land .
The information you supply will only be used by No Man’s Land .

Architecture as Common Phantom and Boundary – Gwangju Biennale 2018: Imagined Borders

建築作為共同體的幽靈與邊界—2018年光州雙年展：《想像的邊界》

January 20th, 2020／ Type： Opinion

Author: Enkaryon Ang ／ Editor: Rikey Tenn

Former Armed Forces Gwangju Hospital as exhibition venue; photo courtesy of Rikey Tenn

Ayoung Kim, :Porosity Valley, Portable Holes", 2017; photo: Rikey Tenn

Yto Barrada, "Agadir", 2018; photo: Rikey Tenn

Shilpa Gupta, "100 Hand drawn maps of my country Tel-Aviv / Jerusalem"; photo: Rikey Tenn

Kader Attia, "Shifting borders", 2018; photo: Rikey Tenn

Dinh Q. Lê, "The Colony (2016-18)"; photo: Rikey Tenn

Tiffany Chung, “Reconstructing an exodus history: flight routes from camps and of ODP cases", 2018; photo: Rikey Tenn

Footnote

[1]

[2]