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ISSUE 41 : Models of Listening
Between Theoretical Curation and Participatory Art: Review on Future Memories I
理論性策展和參與式藝術的間差:談《未來回憶錄三部曲之一:話鼓電台/未來出土2.0》
June 11th, 2019Type: Sound Scene
Author: Yang, Chen-han Editor: Rikey Tenn
Shen Sum-Sum, Future Excavation2.0, sound installation, clay, sandy soil, transducers, digital display, 2019 / Photo: TheCube Project Space)
Recording Studio in TheCube Project Space / Photo: TheCube Project Space
Shen Sum-Sum, Future Excavation2.0, 2019 (Photo: TheCube Project Space)
Shen Sum-Sum, Future Excavation2.0, 2019 (Photo: TheCube Project Space)
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