Can Contemporary Art in China Rids Itself of Political Intervention? | Nomansland

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ISSUE 21 : Recalling Islands

Can Contemporary Art in China Rids Itself of Political Intervention?

中國當代藝術能否擺脫政治干預？

July 2nd, 2015／ Type： Opinion

Author: 蔡長璜／ Editor: Rikey Tenn

Quote From: 《燧火評論》（Promethean Fire Review）

Peter Ablinger, The Truth or How to Teach a Piano to Learn Chinese, Shanghai Biennale 2014

酒井耕與濱口龍介, Voices from the Waves (2013), 來源: www.shanghaibiennale.org

ISSUE 21 

             Auf dem Narrenschiff: The Letter, the Captain, and the Islands
                
                 ， 王鼎曄
                 
             Two Islands: Pulau Cerah, the Birth of Islands
                
                ，

                Takamori Nobuo

             Two Islands: Pulau Hantu, the Dying Islands
                
                ，

                Takamori Nobuo

             Multilated Harmony: Migration of Diction in Huang, Ming-chuan’s Footage
                
                ，

                Lin, Yi-shiu

             From Taipei Biennial to Shanghai Biennale: the Preface
                
                 ， 蔡長璜
                 
             Can Contemporary Art in China Rids Itself of Political Intervention?
                
                 ， 蔡長璜
                 
             World Factory: Contextualiztion along the Moving Border of Interpretation
                
                 ， 蔡長璜

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