Endless Desires between Gender Fluidity and Female Subjectivity – The Self and Other in Banana’s Art

Rights of the articles on No Man’s Land are reserved to the original authors or media. No Man’s Land is authorized to reproduce and distribute the articles freely. Users may distribute the articles on No Man’s Land accordingly to the above terms of use, and shall mark the author, and provide a link to the article on No Man’s Land .

「數位荒原」網站上文章之著作權由原發表人或媒體所有，原發表人（媒體）同意授權本站可自由重製及公開散佈該文章。使用者得按此原則自由分享本站收錄之文章，且註明作者姓名、轉載出處「數位荒原」與網頁的直接連結。

Contact

Please fill out your information to contact No Man’s Land .
The information you supply will only be used by No Man’s Land .

Subscribe No Man's Land

Please fill out your email to get the latest from No Man’s Land .
The information you supply will only be used by No Man’s Land .

Endless Desires between Gender Fluidity and Female Subjectivity – The Self and Other in Banana’s Art

重塑性別游移與女性主體間的無盡慾望─八娜娜創作的自我與他者

August 14th, 2019／ Type： Performance

Author: Doris Chen ／ Editor: Rikey Tenn

Quote From: 《典藏‧今藝術&投資》No.322

八娜娜, 成為公主之前—地獄野谷, 2017; photo courtesy of Ho-Yo Space

八娜娜, 伯元Bo-Yuan, 2018; photo courtesy of Absolute Art Space

Bo-Yuan - Banana Solo Exhibition

Footnote

[1]

[2]

[3]