From Art to Culture: How Juichung Yao Conjures up “Long Live – Landscape”

Rights of the articles on No Man’s Land are reserved to the original authors or media. No Man’s Land is authorized to reproduce and distribute the articles freely. Users may distribute the articles on No Man’s Land accordingly to the above terms of use, and shall mark the author, and provide a link to the article on No Man’s Land .

「數位荒原」網站上文章之著作權由原發表人或媒體所有，原發表人（媒體）同意授權本站可自由重製及公開散佈該文章。使用者得按此原則自由分享本站收錄之文章，且註明作者姓名、轉載出處「數位荒原」與網頁的直接連結。

Contact

Please fill out your information to contact No Man’s Land .
The information you supply will only be used by No Man’s Land .

ISSUE 9 : Eyes of Asian Travelers

From Art to Culture: How Juichung Yao Conjures up “Long Live – Landscape”

從藝術到文化—姚瑞中如何打開「萬歲―山水」？

April 27th, 2013／ Type： Image

Author: Wang, Po-wei ／ Editor: Rikey Tenn

Quote From: 《藝外》no.58

Note: Yao, Jui-Chung regards images as a convincing proof of presence. His works clearly reveal the dissimilarity between memory and history as well as between cultural text and artistic text, and thereby carve out a new path, which is distinct from the conventional style of Chinese landscape paintings.

姚瑞中, 萬歲 (2011); photo courtesy of the artist

姚瑞中, 萬歲, (2011); photo courtesy of the artist

姚瑞中, 萬萬歲 (2013); photo courtesy of the artist

姚瑞中, 本土佔領行動; photo courtesy of the artist

ISSUE 9 

             From Art to Culture: How Juichung Yao Conjures up “Long Live – Landscape”
                
                ，

                Wang, Po-wei

             In Between Sound and Communication: The Problem of Performative Language in Cheng-Ta Yu’s On Set in the City
                
                ，

                Wang, Po-wei

             Notes on Measurements: After the exhibition ThaiTai
                
                 ， 徐建宇
                 
             Where there is a misunderstanding: Interview with JIANDYIN
                
                ，

                Rikey Tenn

             Duplication of Era Menifesto: Our Age of Piracy; 30 Years of Remixed Memory
                
                ，

                Chou, Yu-ling

Footnote

[1]

[2]

[3]

[4]

[5]

[6]

[7]

[8]

[9]

[10]

[11]

[12]

[13]

[14]