Rights of the articles on No Man’s Land are reserved to the original authors or media. No Man’s Land is authorized to reproduce and distribute the articles freely. Users may distribute the articles on No Man’s Land accordingly to the above terms of use, and shall mark the author, and provide a link to the article on No Man’s Land .
Please fill out your information to contact No Man’s Land .
The information you supply will only be used by No Man’s Land .
Subscribe No Man's Land
Please fill out your email to get the latest from No Man’s Land .
The information you supply will only be used by No Man’s Land .
Our Search of Identity: An Interpretation on Taiwan “Tongzhi” Theatre
追索身分認同的繹演：談台灣同志劇場
March 1st, 2018／
Type：
Performance
Author:
蔡雨辰
／ Editor:Yizai Seah
Quote From:《以進大同—台北同志生活誌》,財團法人台灣文學發展基金會出版(2017)
Note: Is this possible for us to categorize forms of queer theater and further construct the saga in the process of analyzing the history of Taiwanese theater? Where on the vector shall we incise and analyze the complexity and variety of queer theater? This article was published in "State of Peace, Be Our Stand/Yi-Chin Ta-Tung — LGBT in Taipei" (以進大同—台北同志生活誌) (2017), which is the catalog of the exhibition "State of Peace, Be Our Stand/Yi-Chin Ta-Tung — LGBT culture-scape in Taipei" presented at Kishu An Forest of Literature. Through Critical Point Theatre Phenomenon, Shibantz Theater, Blushing Diva, as well as the participating directors of "Taiwan Women Theatre Festival" and so on, the author, Tsai Yu-Chen, traces the silhouette of Taiwanese queer theater and unveils the difficulties in reinstating the memory of queer archives.
