Reconsidering Bagnkok: Art Exchange in Five Art Scenes

Rights of the articles on No Man’s Land are reserved to the original authors or media. No Man’s Land is authorized to reproduce and distribute the articles freely. Users may distribute the articles on No Man’s Land accordingly to the above terms of use, and shall mark the author, and provide a link to the article on No Man’s Land .

「數位荒原」網站上文章之著作權由原發表人或媒體所有，原發表人（媒體）同意授權本站可自由重製及公開散佈該文章。使用者得按此原則自由分享本站收錄之文章，且註明作者姓名、轉載出處「數位荒原」與網頁的直接連結。

Contact

Please fill out your information to contact No Man’s Land .
The information you supply will only be used by No Man’s Land .

Subscribe No Man's Land

Please fill out your email to get the latest from No Man’s Land .
The information you supply will only be used by No Man’s Land .

ISSUE 10 : Calling Mr. Anderson

Reconsidering Bagnkok: Art Exchange in Five Art Scenes

重新理解：曼谷到台北的五個交流場景

May 22nd, 2013／ Type： Opinion

Author: Rikey Tenn ／ Editor: Rikey Tenn

Quote From: 《藝術家》2013年5月號

Note: This article is originally published on ARTIST; Apr, 20, 2013. The author traced the 5 scenes of the THAITAI exhibition (BKK) curated both by OCAC Bangkok/Taipei and JIANDYIN, 2012~2013.

Fan, Hsiao-Lan; Soi NANA (2012); photo courtesy of the artist

Thaweesak Srithongdee, THAITAI: SOUND (2012); photo courtesy of OCAC

張恩滿, 競技場 (2012); photo courtesy of OCAC

Hsu, Chia-wei, 回莫村 (2012); photo courtesy of OCAC

ISSUE 10 

             Social-Network Conspiracy under Knowledge Structure
                
                ，

                Prof. Ho Wang

             The Dust of Stalkerism
                
                 ， 張皓馨
                 
             Looking for Crab-Shell Man
                
                 ， 黃博志
                 
             The Resistance Is Futile? In Defense of Online Activism
                
                ，

                Rikey Tenn

             Reconsidering Bagnkok: Art Exchange in Five Art Scenes
                
                ，

                Rikey Tenn

Footnote

[1]

[2]

[3]