Reflection on Gender Identity Politics as Art Historiographical Drive in Taiwan

Rights of the articles on No Man’s Land are reserved to the original authors or media. No Man’s Land is authorized to reproduce and distribute the articles freely. Users may distribute the articles on No Man’s Land accordingly to the above terms of use, and shall mark the author, and provide a link to the article on No Man’s Land .

「數位荒原」網站上文章之著作權由原發表人或媒體所有，原發表人（媒體）同意授權本站可自由重製及公開散佈該文章。使用者得按此原則自由分享本站收錄之文章，且註明作者姓名、轉載出處「數位荒原」與網頁的直接連結。

Contact

Please fill out your information to contact No Man’s Land .
The information you supply will only be used by No Man’s Land .

Subscribe No Man's Land

Please fill out your email to get the latest from No Man’s Land .
The information you supply will only be used by No Man’s Land .

Reflection on Gender Identity Politics as Art Historiographical Drive in Taiwan

對藝術圈試圖與性別議題有交集的反思

August 14th, 2019／ Type： Opinion

Author: 張竣昱／ Editor: Rikey Tenn

Quote From: 《典藏‧今藝術&投資》No.322

Xing YAN, "The History of Fugue" (2012); courtesy of Galerie Urs Meile

《東北妖站街日常》於水谷藝術空間；photo courtesy of Chen Han-Shen

Footnote

[1]

[2]

[3]

[4]

[5]

[6]

[7]

[8]

[9]

[10]