Note: In contemporary society, moving images seems everywhere. But, forces behind the pulling and dragging between "reality" and "Illusion", weariness, vain and even death of image making and its discourse, and furthermore the elimination of energies revealed by image making as a battle or as the opposed, all these needed to be propelled. Could we construct the depth of culture and politics through image making device, or accept all the fast moving images that passed by without a single trace?
法國科學家Étienne-Jules Marey發明的攝影槍 (Photographic Rifle)
TzigaVertov, Man with a Movie Camera