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ISSUE 39 : Museumizing Imagination
The Undercurrents in Taiwan’s Nude Art: The Sitting, Headless, Deformation, and Autopsy
臺灣裸體美術伏流：端坐、斷頭、畸形與自我解剖
November 29th, 2018／ Type： Opinion
Author: Takamori Nobuo
Quote From: 《藝術認證》No.82
高美館《靈魂的墓穴、神廟、機器與自我》；Photo：鄭景陽
右為陳夏雨創作於1944年〈裸女之一〉雕塑（高雄市立美術館典藏），左為郎靜山〈一女有所思〉攝影作品（國立臺灣美術館典藏）；Photo：鄭景陽
右為陳澄波〈裸女坐姿冥想〉，《靈魂的墓穴、神廟、機器與自我》展場一隅；Photo：鄭景陽
陳瀅如〈超距作用〉為本展劃下句點；Photo：鄭景陽）
ISSUE 39
Photography as Ethnographic Method: The Anthropological Photographic Archives in Japanese Colonial Taiwan, 3 ， 陳偉智 ， 蔡牧容 (翻譯) ， 黃鈴珺 (潤稿)
Photography as Ethnographic Method: The Anthropological Photographic Archives in Japanese Colonial Taiwan, 2 ， 陳偉智 ， 蔡牧容 (翻譯)
Photography as Ethnographic Method: The Anthropological Photographic Archives in Japanese Colonial Taiwan, 1 ， 陳偉智 ， 蔡牧容 (翻譯)
The Undercurrents in Taiwan’s Nude Art: The Sitting, Headless, Deformation, and Autopsy ， Takamori Nobuo
A Visionary – An Essay on the Woman in Nguyễn Trinh Thi’s Moving Images ， Bùi Kim Đĩnh ， Felipe (翻譯)
Sites of Historical Events: Battlefield in Australia as Contemporary Museum ， Doris Chen