The Unsettled Audience and Reader(s): on the Work of “Translation” at Documenta 15

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Author: 許祐綸／ Editor: Rikey Tenn

Gudskul位於化為學校Fridskul的Fridericianum，展期間這裡同時是展示、聚會、討論、共學與生活的空間。

Baan Noorg, Churning Milk: the Rituals of Things, 2022; photo courtesy of Jiandyin & Baan Noorg

Nguyễn Trinh Thi在前監獄碉堡內創造影像與聲音多媒體裝置取材自Bùi Ngọc Tấn的小說《Tale Told in the Year 2000》；photo courtesy of Fiona Hsu

Erick Beltrán在Museum for Sepulchral Culture以圖像和雕塑探討「何為權力？」；photo courtesy of Fiona Hsu

*foundationClass*collective 在卡塞爾工業區的Hafenstrasse 76建築內一樓以想像打造團體的未來據點；photo courtesy of Fiona Hsu

Jatiwangi Art Factory在文件展期間重現他們在家鄉三年一度的Rampak Genteng儀式與民眾共同敲奏屋瓦樂器；photo courtesy of Fiona Hsu

Taring Padi的展區之一為Friedrichsplatz廣場，廣場上豎立帶領民眾共創的紙板偶，後方為隔日被拆除的壁畫People's Justice；photo courtesy of Fiona Hsu

ISSUE 53 

             Archived and Alive: Interview with Kin Ko on Writing NFT
                
                 ， 李佳霖 (訪談, 整理) ， 高重建
                 
             Welcome to Planet B and The Festival of Political Correctness
                
                 ， 黃彥霖
                 
             Notes on Closed Worlds and Speculative Encounters
                
                 ， 李雨潔 ， 鄭文琦 (中譯)
                 
             The Unsettled Audience and Reader(s): on the Work of “Translation” at Documenta 15
                
                 ， 許祐綸
                 
             Collaboration or Social Mobilization? The Historical Context of Gotong-Royong and Its Politics
                
                 ， krystie Ng吳君儀 ， 吳君儀, 沈慧伶 (Trans.)
                 
             Phu-Bao-Gin-Maew: Thaiisaan Sound
                
                 ， Pisitakun Kuantalaeng ， Penwadee Nophaket Manont (trans.)

Footnote

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