Copyright
Rights of the articles on No Man’s Land are reserved to the original authors or media. No Man’s Land is authorized to reproduce and distribute the articles freely. Users may distribute the articles on No Man’s Land accordingly to the above terms of use, and shall mark the author, and provide a link to the article on No Man’s Land .
「數位荒原」網站上文章之著作權由原發表人或媒體所有,原發表人(媒體)同意授權本站可自由重製及公開散佈該文章。使用者得按此原則自由分享本站收錄之文章,且註明作者姓名、轉載出處「數位荒原」與網頁的直接連結。
Contact
Please fill out your information to contact No Man’s Land .
The information you supply will only be used by No Man’s Land .




Subscribe No Man's Land
Please fill out your email to get the latest from No Man’s Land .
The information you supply will only be used by No Man’s Land .
Unsubscribe No Man’s Land
ISSUE 30 : The Recursive Days of Learning
Thousand Islands: The 4th Arkipel International Documentary & Experimental Film Festival
如何觀看「千島」?記第四屆ARKIPEL雅加達國際紀錄片與實驗影展
December 20th, 2016Type: Opinion
Author: Rikey Tenn Editor: Rikey Tenn
Quote From: 《藝術家》no.499
Note: Marginal Matters, the very first curatorial program presented by TCAC at the ARKIPEL Festival, selectively incorporates the works of the five artists, Singing Chen, Yu-Hsien Su, Chi-Yu Wu, Kuang-Yu Tsui, and Jun-Honn Kao. ARKIPEL Festival, which takes its name from "archipelago" which refers to "thousand islands"(Nusantara) in Indonesian, is ​built​ on the communal cultural base (Gotong Royong)​, and subsequently reaches out for discussions such as the techniques, the forms,​ and the material conditions of non-mainstream cinema.
Festival Forum, Panel 3; photo: http://arkipel.org/festival-forum-panel-3/
Esther Lu, Marginal Matters; photo: http://arkipel.org/marginal-matters-story-various-forms/
The Pig; photo courtesy of artist(s)
Tu-di Temple; photo courtesy of artist
Otty Widasari, Park Lanes: Small Simulation in Big Room; photo: http://arkipel.org/on-the-opening-of-exhibition-program/
Footnote
[1]
[2]
[3]
[4]
[5]
[6]