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ISSUE 27 : FILM AND THE INHUMAN EYE
Splendid “Fireworks”: Heading Towards the Images Left in Memories
閃燃的〈煙火〉—朝向記憶存有的影像
July 5th, 2016Type: Image
Author: Enkaryon Ang Editor: Rikey Tenn
Note: Through the history of the landscape, Fireworks depicts the wounds left by Thaification on the modern times border of Thailand. In Fireworks, the difficult history of Sala Kaew Kuu echos to the many rebellious acts in Isan area. Fireworks as image apparatus had burned down into ashes eventually; however, through movie as medium developer, the possibilities for loops of image memory unfold.
Apichatpong Weerasethakul, Fireworks at Kurimanzutto; courtesy of kurimanzutto and Kick the Machine Films
Apichatpong Weerasethakul, Fireworks (Archives); courtesy of Kick the Machine Films
Apichatpong Weerasethakul, Fireworks (Archives); courtesy of Kick the Machine Films
Footnote
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