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ISSUE 53 : WRITING COLLECTIVES / COLLECTIVISM

Welcome to Planet B and The Festival of Political Correctness

一場政治正確的科展慶典，而且不是很華麗？

September 17th, 2022／ Type： Opinion

Author: 黃彥霖／ Editor: Rikey Tenn

Posthuman Studies Lab (RU), Feral Automated System: ULTB-1; photo courtesy of Ars Electronica

Masaki Fujihata, Brave New Common; image courtesy of the artist

徐容, Natalie Rivera, bi0film.net: Resist Like Bacteria (workshop); photo courtesy of Ars Electronica

Yi-Wen Lin, Lien-Cheng Wang, Aluan Wang, Jinyao Lin, Che-Yu Wu, Newyellow, Project Percentage (peformance); photo courtesy of Ars Electronica

Creating the future: A Brief History of Ars Electronica 1979–2019

State of the ART(ist); image courtesy of Ars Electronica

顧廣毅, 植物移民融入中心 (取自藝術家部落格)

Holly Herndon (UM), Mathew Dryhurst, Herndon Dryhurst Studio, Holly+; photo courtesy of Ars Electronica

Mark Hlawitschka, Moritz Simon Geist, Transforming Sound ＆ Material; photo courtesy of Ars Electronica

ISSUE 53 

             Archived and Alive: Interview with Kin Ko on Writing NFT
                
                 ， 李佳霖 (訪談, 整理) ， 高重建
                 
             Welcome to Planet B and The Festival of Political Correctness
                
                 ， 黃彥霖
                 
             Notes on Closed Worlds and Speculative Encounters
                
                 ， 李雨潔 ， 鄭文琦 (中譯)
                 
             The Unsettled Audience and Reader(s): on the Work of “Translation” at Documenta 15
                
                 ， 許祐綸
                 
             Collaboration or Social Mobilization? The Historical Context of Gotong-Royong and Its Politics
                
                 ， krystie Ng吳君儀 ， 吳君儀, 沈慧伶 (Trans.)
                 
             Phu-Bao-Gin-Maew: Thaiisaan Sound
                
                 ， Pisitakun Kuantalaeng ， Penwadee Nophaket Manont (trans.)

Footnote

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