Copyright
Rights of the articles on No Man’s Land are reserved to the original authors or media. No Man’s Land is authorized to reproduce and distribute the articles freely. Users may distribute the articles on No Man’s Land accordingly to the above terms of use, and shall mark the author, and provide a link to the article on No Man’s Land .
「數位荒原」網站上文章之著作權由原發表人或媒體所有,原發表人(媒體)同意授權本站可自由重製及公開散佈該文章。使用者得按此原則自由分享本站收錄之文章,且註明作者姓名、轉載出處「數位荒原」與網頁的直接連結。
Contact
Please fill out your information to contact No Man’s Land .
The information you supply will only be used by No Man’s Land .




Subscribe No Man's Land
Please fill out your email to get the latest from No Man’s Land .
The information you supply will only be used by No Man’s Land .
Unsubscribe No Man’s Land
CONTRIBUTOR
Total 6 posts
Ko, Nien-pu
柯念璞

An independent curator. Her research interest lies in the urban cultures in East Asia, community art, and Modern history of East Asian. She is also the curator of Flags,Transnational - Migrants and Outlaw Territories (Tokyo Wonder Site, 2016).

獨立策展人。她的研究領域為東亞都市文化、社群藝術、東亞現代史。最新展覽為《旗、越境者と無法地帯》(Tokyo Wonder Site;2016)。

Alice Ko: First of all, thank you for agreeing to join this interview. You have taken on an active role as the curator in many institutions, and your ...
Alice Ko: In your work, the myth of Bari as a space of mediation re-evaluating different histories, past and present. It addresses an anchor or ethos ...
1 “Asia” has a multiplicity of perspectives distributed in its many corners and these perspectives continuously interact with one another over time. I...
I, The History of the South Pacific According to the Japanese Empire Before the Japanese invasion of Malaysia in 1941, a travelogue titled Nanpo no Ka...
AU Sow Yee: Rumah Attap Library & Collective looks to vitalize local knowledge production or critical thinking, and has fine interaction with diff...
Alice KO Nien Po: Please share a bit on the motive and background of your founding of Rumah Attap Library & Collective? SHOW Ying Xin: From 2008 t...